Gounod - Mab, la reine des mensonges (Mercutio) from Roméo et Juliette
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7 pages.
The first of its kind, and the fifth entry in the Accessible Accompaniments series of aria reductions, this is a genuinely playable piano/vocal reduction of "Mab, la reine des mensonges," Mercutio's aria from Charles Gounod's 1867 opera Roméo et Juliette. Baritones who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may not be able to cope with the blazingly fast 16th-note passages, which render standard reductions of this aria as difficult as (or more so than) the thorniest etudes in the standard piano repertoire. Pianists with limited practice time (and most accompanists are rather limited in practice time!) may now enjoy playing this aria comfortably.
The first of its kind, and the fifth entry in the Accessible Accompaniments series of aria reductions, this is a genuinely playable piano/vocal reduction of "Mab, la reine des mensonges," Mercutio's aria from Charles Gounod's 1867 opera Roméo et Juliette. Baritones who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may not be able to cope with the blazingly fast 16th-note passages, which render standard reductions of this aria as difficult as (or more so than) the thorniest etudes in the standard piano repertoire. Pianists with limited practice time (and most accompanists are rather limited in practice time!) may now enjoy playing this aria comfortably.