Strauss: Grossmächtige Prinzessin (Zerbinetta's aria) from Ariadne auf Naxos
AVAILABLE IN THREE DIFFERENT CUTS:
COMPLETE (reh. 100-130)
$8.00 USD
FROM "NOCH GLAUB' ICH" to end of Rondo
$6.00 USD
FROM "SO WAR ES MIT PAGLIAZZO" to end of Rondo
$5.00 USD
COMPLETE (reh. 100-130)
$8.00 USD
FROM "NOCH GLAUB' ICH" to end of Rondo
$6.00 USD
FROM "SO WAR ES MIT PAGLIAZZO" to end of Rondo
$5.00 USD
17 pages (complete aria). See above for purchasing options regarding shorter cuts.
The first of its kind, and the sixth entry in the Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of "Grossmächtige Prinzessin," Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.
In this particular reduction, the texture within the final Rondo ("Als ein Gott") has been condensed to assist pianists with smaller hands or those who may be sightreading. Additionally, a few key signature changes have been added to better reflect the tonal trajectory and reduce the clutter that additional sharps/flats add to the pages.
The first of its kind, and the sixth entry in the Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of "Grossmächtige Prinzessin," Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.
In this particular reduction, the texture within the final Rondo ("Als ein Gott") has been condensed to assist pianists with smaller hands or those who may be sightreading. Additionally, a few key signature changes have been added to better reflect the tonal trajectory and reduce the clutter that additional sharps/flats add to the pages.
